Faerie Tale Theatre's "Cinderella" more than lives up to the series' stellar legacy of creative fairytale adaptations. Featuring a cast which includes Jennifer Beals, Jean Stapleton and Matthew Broderick it shines with intelligence and romance. It even subtly improves on the Disney classic by giving the prince a proper name; that of Henry. Jennifer Beals does admirable work as the title heroine, humanizing(as much as she can)one of the archetypal figures in mythical storytelling. Matthew Broderick infuses Prince Henry with undeniable charm while still maintaining a palpable shyness which perceptively suits the character as he finds true love. Jean Stapleton's boisterous Fairy Godmother befits the character's role as an agent for dynamic change in the story.

Francis Ford Coppola’s adaptation of Washington Irving’s classic tale about Rip Van Winkle, a carefree villager who wanders into New York’s Catskill Mountains, drinks with mysterious strangers, and falls into a deep sleep—awakening twenty years later to find the world around him transformed.

The beautiful daughter of a merchant sacrifices her freedom to save her father from the punishment of a cursed beast.

An adaptation of the old fairy tale Schneewittchen und die sieben Zwerge from the collection by Jacob Ludwig Carl Grimm (1785-1863) and Wilhelm Carl Grimm (1786-1859). The classic tale of a kind-hearted princess stalked by a jealous stepmother is brought to life in this early episode of Faerie Tale Theatre. Elizabeth McGovern is Snow White, the princess whose stepmother, the queen, banishes her because she is jealous of the girl's beauty. She takes up residence with a septet of friendly dwarfs in the woods, but eventually falls victim to a poisoned apple delivered by the queen in disguise. Only a kiss from a prince (Rex Smith) will awaken her. Veteran actress Vanessa Redgrave portrays the insanely wicked queen, and Vincent Price lends his incomparable voice and screen presence to the film as the queen's omnipresent magic mirror.

Cinderella has to stay home while her evil stepsisters go to the ball. You know the rest except everyone here is a penguin (even the mice that become the "horses") and the lost slipper is more like a swimming flipper.

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Condemned to life as a kitchen maid, Cinderella has to wait hand and foot on her unpleasant, ugly sisters. When her fairy godmother allows her to go to the Prince's ball, it is love at first sight for Cinderella and the Prince. But, Cinderella has to hurry away before the magic spell wears off leaving only a glass slipper. The Prince must search his kingdom to find the owner.

This inventive production from the English National Ballet fills the grand space of the Royal Albert Hall to tell one of the world’s favourite fairy tales. Magnificent sets and costumes, surprising theatrical tricks and lively choreography delight, move and astound, all to the melodious tunes of Prokofiev, performed by English National Ballet Philharmonic.

During the day, Cinderella's face is covered in soot, but at night she transforms into a fairy-tale beautiful princess in a ball gown made of magic nuts. The handsome prince falls in love with Cinderella, but all he has left in his hands is the lost slipper...

An oppressed young woman finds happiness when she secretly attends the royal ball.